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1. An Overview of the International Reception of Existentialism: The Existentialist Tsunami; Alfred Betschart -- Part I: North America -- 2. Sartre and the American New Left; Ronald Aronson -- 3. The Absurd: Postwar Reception and Wartime Echoes at Yale French Studies; Julia Elsky -- 4. Walker Percy’s The Moviegoer, a Signpost for Existentialism’s Reception in the American South; Damon Boria -- 5. The Reception of Sartre’s Plays: The Respectful Prostitute and Dirty Hands during the Cold War Period; Adrian van den Hoven -- Part II: Europe Outside France -- 6. Guéhenno in Gehenna. The English and German Translations of La nausée; Norbert Bachleitner -- 7. “Existentialist Hu-ha”?: Censoring the Existentialists in the British Theatre; Jamie Andrews -- 8. The Impact in Italy of Sartre and his Thinking; Francesco Caddeo -- 9. Toward an Ethics of Singularity: Temporality, Irreversibility, and Need in the Dialogue between Jean-Paul-Sartre and Enzo Paci; Raoul Kirchmayr -- 10. Sartre in Germany- Even in the East; Vincent von Wroblewsky -- 11. French Cultural Policy and the Transfer of Existentialism in Allied-Occupied Austria; Juliane Werner -- Part III: Asia, Latin America, and Africa -- 12. The Journey of Sartrean Existentialism into Turkey; Ayşenaz Cengiz -- 13. Middle Eastern Existentialism; Hamid Andishan -- 14. Arab Existentialism: What was it?; Yoav Di-Capua -- 15. Sartre’s Presence in Israeli Literature: The Case of Hanoch Levin; Rony Klein -- 16. The Discovery of the Other in Post-War Japan: Two Sartreans on Kyoto School and Zainichi Koreans; Nariaki Kobayashi and Hiroaki Seki -- 17. A Brief History of the Reception of Sartre in Argentina; Alan Patricio Savignano -- 18. Existentialism Against Colonialism: Sartre, Fanon, and the Place of Lived Experience; Robert Bernasconi -- Part IV: Science and Arts -- 19. Existential Psychoanalysis in America; Cameron Bassiri and Matthew Senie -- 20. Existentialism and Cinema: The Dialectic of Bad Faith and Authenticity in Federico Fellini’s 8½; Maria Russo.
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