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Intro -- Contents -- List of Figures -- List of Tables -- Notes on the Editors and Contributors -- Acknowledgements -- 1: Visual Dialogues Across Different Schools of Thought -- PART I: Framing the Field of Visual Research -- 2: An Integrated Conceptual and Methodological Framework for the Visual Study of Culture and Society -- 3: Looking Two Ways: Mapping the Social Scientific Study of Visual Culture -- 4: Visual Studies and Empirical Social Inquiry -- 5: Seeing Things: Visual Research and Material Culture -- PART II: Visual and Spatial Data Production Methods and Technologies -- 6: Rephotography for Documenting Social Change -- 7: Rephotography in Landscape Research -- 8: Videography: An Interpretative Approach to Video-Recorded Micro-Social Interaction -- 9: Eye-Tracking as a Method of Visual Research -- 10: Expanding Cartographic Practices in the Social Sciences -- 11: Participatory Geographic Information Systems in Visual Research -- 12: Visualization in Social Analysis -- 13: Visual Research Methods in the Design Process -- PART III: Participatory and Subject-Centered Approaches -- 14: Methodological Variation in Participant Visual Media Production -- 15: Community-Based Participatory Video and Social Action -- 16: Digital Storytelling as a Research Method -- 17: Photovoice: A Critical Introduction -- 18: Using Drawing in Visual Research: Materializing the Invisible -- 19: Picture-Sorting Techniques: Card-Sorting and Q-Sort as Alternative and Complementary Approaches in Visual Social Research -- 20: Artefacts, Third Objects, Sandboxing and Figurines in the Doll's House -- 21: The Therapeutic Use of Photography: Phototherapy and Therapeutic Photography -- PART IV: Analytical Frameworks and Perspectives -- 22: Quantitative Content Analysis of the Visual -- 23: Visual Semiotics: Key Concepts and New Directions.
24: Advances in Visual Rhetorical Analysis -- 25: Iconology and Documentary Method in the Interpretation of Divergent Types of Visual Materials -- 26: Ethnomethodology and the Visual Practices of Looking, Visualization, and Embodied Action -- 27: Methodological Approaches to Disclosing Historic Photographs -- 28: Researching Film and History: Sources, Methods, Approaches -- PART V: Multimodal and Multisensorial Research -- 29: Multimodality and Multimodal Research -- 30: Visual and Multimodal Framing Analysis -- 31: Multimodal Critical Discourse Analysis: How to Reveal Discourses of Health and Ethics in Food Packaging -- 32: How to 'Read' Images with Texts: The Graphic Novel Case -- 33: A Multisensory Approach to Visual Methods -- 34: Rapid Prototyping for Social Science Research -- PART VI: Researching Online Practices -- 35: A Multimodal Model for Exploring the Material Culture of Digital Networked Platforms and their Practices -- 36: Contemporary Landscapes of Visual and Digital Communication: The Interplay of Social, Semiotic, and Technological Change -- 37: Understanding Online Images: Content, Context and Circulation as Analytic Foci -- 38: Visual and Affective Analysis of Social Media -- PART VII: Communicating the Visual: Formats and Concerns -- 39: Creating Visual Essays: Narrative and Thematic Approaches -- 40: Anthropological Filmmaking: An Empirical Art -- 41: Visual Ethnography and Emerging Digital Technologies -- 42: Revisualizing Data: Engagement, Impact and Multimodal Dissemination -- 43: Making Arguments with Images: Visual Scholarship and Academic Publishing -- 44: Visual Ethics Beyond the Crossroads -- 45: Legal Issues of Using Images in Research -- Index.
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